Denver Photo Betties

Member Feature - Molly Seeling

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Introducing our January Member Feature, Molly Odell Seeling of  Cedar House Photography.

Meet Molly!

Meet Molly!

What's your 'photography story?

 I first started out shooting film, way back in the day.  Originally, I became interested in photography as a way to record my travels, and it was pretty common for me to be going through airport security with a Ziploc bag of 20, 30 rolls of film :)  I’ve always loved working with people, and I originally wanted to do photojournalistic / documentary / National Geographic people photography. I ended up regularly second shooting for a local portrait and wedding studio, and when the owners decided to move, they offered to let me buy the business, which at the time included several ongoing contracts for family portraits through a family camp, and newborn portraits through the local OB-GYN's office. So I started out shooting everything - babies, families in studio, seniors, weddings, corporate headshots, etc. As I got more comfortable, I gradually started to narrow down to what I really loved. For 4-5 years, that was pretty evenly split between seniors and weddings, and just last year I took weddings off my website and have been focusing almost 100% on high school senior girls.

Tell us about your very first shoot:  

Oh gosh, I don’t remember which exact one was my very first paying shoot.  When I was in college, I shot some of my little sister’s friends’ senior portraits, a wedding here and the for a cheap friend or acquaintance. I knew next to nothing about lighting, I had an okay grasp on composition, and I was still shooting in only aperture priority mode rather than manual.  I used my sister a lot as a model - she’s gorgeous!  Every so often I’d get lucky with a really stellar shot, but have no idea how to recreate it.

What three words best describe your style? 

Laid-back, offbeat, cinematic.

If you were stranded on a desert island with only one camera, lens, and accessory, what would you bring?

I use my 5DMkII for pretty much everything.  I rely pretty heavily on my 70-200 2.8 for portraits, although if I was on a desert island I might go with a nice wide angle for some landscape shots :)  

 

If you could go anywhere and photograph anything, where would you go and what would you shoot? 

Styled portraits with locally-designed clothing at the Taj Mahal or in Morocco- I love the colors, the architecture, that golden humid light, and beautiful fabrics!

 

If you could be photographed by any photographer, living or dead, who would it be? 

Annie Liebowitz - she’s magical!

What one tip would you give a photographer starting out in your field? 

Learn some solid business skills.  I focused a lot on the artistic elements in the beginning, the craft of it, which is definitely very important.  But I made a lot of mistakes and had to learn a lot of business lessons the hard way, and I feel like that held me back in the beginning.  I wish I had learned the basics earlier, like figuring out how to budget reasonably, how to determine your cost of goods and what you’re actually paying yourself per hour, etc.  I thought that being a good artist would, in and of itself, guarantee success.  If you’re creating beautiful work, how could you NOT make money?  Then I realized it doesn’t work quite like that :)

What websites/blogs do you visit often? 

Not much photography-related these days.  I love Pinterest and Etsy for sourcing props or compiling ideas.  I check the news kind of obsessively.  

What do you find most difficult about being a photographer? 

The seasonality of it.  I specialize in high school senior girls, and especially in Colorado, there’s a definite season for that, due to the combination of yearbook deadlines and the weather.  Every year, it’s hard for me to pace myself in the summer and say no to someone, because what if I really needed that money in February?  It’s really easy to overextend yourself.  

What do you find most rewarding? 

The relationships that I’ve developed with my girls.  Some of us keep in touch for years after their shoot - I’ve seen my past seniors graduate from college, get married, and start to have kids, which is crazy.  It’s so wonderful to think that you could help someone feel better about themselves, to see themselves in a beautiful light and a less self-critical way.  I want my girls to see themselves like the people who love them do - lovely, charming, authentic, and full of light.  I love it!


Vendor Feature - Love Letters Floral Design

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Headshot of Holly Kerr - owner of Love Letters Floral Design

Headshot of Holly Kerr - owner of Love Letters Floral Design

Photo by Libbie Holmes Photography 

Photo by Libbie Holmes Photography 

How long have you been in business? Three years.

What inspired you to start your business? I have wanted my own floral design business ever since I started selling boutonnieres and corsages for school dances in High School. I have always been crafty and I love making beautiful things. Weddings are incredibly special and each one of them is unique, so the design possibilities are endless. When a couple is happy with my arrangements and services, that is just the best feeling!

What is your favorite part of owning your own business? I love being able to have unlimited creative power in determining what direction to take my business. What is your primary role in your business? Love Letters Floral Design is a one woman business. I wear all the hats within the business: owner, lead designer, marketer, accountant, etc.

 

Who is your ideal client? Who inspires you in your design? I absolutely love working with couples who value beautiful wedding flowers. As a Wedding Florist, I know what kind of impact flowers can have on the overall feel of a wedding, which not only affects the couple, but all the guests in attendance. There is a saying that people will not remember what you said to them, but how you made them feel. Beautiful flowers can transform a wedding into something that feels absolutely amazing, and besides your wedding pictures, this will be one of the takeaways that is ever-lasting. A wedding is one of the biggest events you will ever host in your lifetime, so incorporating elements, such as flowers, that allow your event to feel beautiful, romantic, natural, fun, soft, inviting, and welcoming is priceless. I get inspired by couples who not only value beautiful wedding flowers, but who are excited about getting married, like to have fun, and are easy-going. 

Describe the process of working with you. How would a couple interact with you from start to finish? The process of working with Love Letters Floral Design is a fun, creative, and collaborative process. Clients can contact me via phone or e-mail to set up an initial consultation. During the consultation we first discuss the overall basics, such as quantities, and then we dive into aesthetics by playing around with color combinations, styles, and flower options. Most of the communication after the initial consultation is done through e-mail or phone, however I have had second or even third in-person meetings. Sometimes it is just easier to discuss things in person! After the consultation I put together collages for the different floral pieces and get feedback from the clients on their likes/dislikes. Once the specific flowers are chosen I then put together an estimate for all the arrangements. There is fluidity to tweak the estimate depending on the couples budget by changing out flowers, decreasing the number of stems in each piece, or thinking of non-floral alternatives for some pieces. Once the estimate is okayed with the client I send over a formal contract. Generally I communicate most with clients when they are in the process of hiring their wedding florist and then again a few weeks before their wedding to finalize any outstanding details. I am always available, though, to be reached via phone or e-mail with questions.

 

What do you like to do For fun: There was a time when I used to say that for fun I created floral arrangements! My other fun involves getting together with friends, biking, cooking, yoga.

 

What food could you not live without? Gosh - this is probably the hardest question to answer! I love lots of different kinds of food. I would say it would be hardest to live without warm beverages, whether that be coffee, tea, cider, etc. A warm beverage always makes me feel better!

Where would you like to travel most?  Thailand is on the top of my bucket list of places to travel to. Not because of the beautiful beaches, amazing food, incredible culture, but to work/volunteer at an elephant sanctuary. I read an article in a magazine once of a woman who went to Thailand to work at an elephant sanctuary and it was the hardest, yet most incredible experiences she has ever had. I still have that article.

Photo by Tin Photography

Photo by Tin Photography

It's a Betty Holiday Party - 2014

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For those of you who made it out out for the Betty Holiday Party, you know that it was a huge success! We had a great turn out, with over 40 betties attending, delicious food, a really fun photo contest and more. For those of you who didn't make it, you'll need to wait another 11 months to experience the awesomeness of a Betty Holiday Party. 

Holiday Party Group Shot.jpg

Thank you to all of our wonderful sponsors, your generosity is more than appreciated! 

SPONSORS:

Ava Art - Kathy Skarvan

Reed Art & Imaging

Spark.It Studios

State of Style

The Denver PhotoBooth - Gillespie Photography

The Roaring Artist 

The Studio

Denverphotobettiessponsortable

And we couldn't leave out our amazing photo booth photos. 


Member Feature - Julie Livermore

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Myfamily.jpg

Introducing our January Member Feature, Julie Livermore of Julie Liveremore Photography.

Website and blog: www.julielivermorephotography.com

Instagram: http://instagram.com/julesua

Facebook: https://www.facebook.com/julielivermorephotography.com

Pinterest: http://www.pinterest.com/julielivermore/

Genre of Photography: Family Portraits

What's your 'photography story? In a short period of time, I quit my professional career to stay home with our children, my husband lost his job, and we ended up moving from Tucson, AZ to a small town in Wyoming.  I adored being home with the boys, but needed to be busy and challenged.  I became obsessed (and still am) with learning how to operate my camera, natural light, and post- processing. 

 

Tell us about your very first shoot: Being in a small town with no natural light photographers, I was quickly asked to take photos for family and friends.  Business started to grow and then my husband was transferred to Fort Collins, CO.  Two years later we moved again to Westminster, CO.  I feel like I have had a lot of “first shoots” and rebuilding, but new locations, families and experiences are what make this job so fun!

What do you specialize in?  Showing the beauty and love of family.

What three words best describe your style? Loving, joyful, and natural

If you were stranded on a desert island with only one camera, lens, and accessory, what would you hope they would be? My iPhone, Lifeproof case, and my family.  My phone is light and always with me (unlike my Canon Mark III and favorite prime lens, the 50mm 1.4).  I find so many moments I want to remember are captured spontaneously on my cell phone (although my 2015 goal is to bring my big camera everywhere).  I probably wouldn't be a photographer if it wasn't for the support and inspiration of my husband and children, so I am taking them too!

If you could go anywhere and photograph anything, where would you go and what would you shoot? I would love to photograph my husband and two sons at an old crumbly castle in Ireland!  They would love to pretend they are knights and I would love to capture something historic in a modern way.

If you could be photographed by any photographer, living or dead, who would it be? I do not like being photographed by myself, but I would love to have Maggie Fortson reshoot our wedding and Tara Whitney to capture the essence of our family.

What one tip would you give a photographer starting out in your field? Value your time and art.

What websites/blogs do you visit often? I typically use Facebook or Pinterest as a jumping point, and if I see a photo that makes me stop in my tracks, I will often click on the artist's website for more!

What do you find most difficult about being a photographer?  The business side—taxes, marketing, pricing, etc.

What do you find most rewarding?  The creative side—capturing genuine and usually joyful family moments with the goal that they will be displayed as art in their home now and treasured in the future.

Planning for a Styled Shoot - Tips from photographers

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When just starting out as photographers one of the hardest things to do is to sell your work when you don't have much of it yet.

How many of you remember (or are still facing) the chicken and the egg conundrum.  You need photos to showcase your work and book clients, but you need clients to have work to showcase to future clients.

There are many ways to get around this at the beginning, whether it is by offering free services, begging your newly engaged friends to let you take photos of them, finding opportunities to 2nd shoot, and planning a styled shoot.

Styled shoots are a great way to meet people in the industry, shoot the type of client you want to shoot, and build your portfolio.  Not sure how to start?  You can do it all on your own if you have to by crafting up a storm, baking or buying some yummy treats, and finding a married couple who is willing to tromp around in their wedding attire.

As you become more established you will build relationships with people in the industry who will want to embark on a creative project with you and the next thing you know you're seeing your artistic vision come to life in front of your eyes.

But since navigating a crazy day on a styled shoot can be a bit overwhelming, especially if its your first shoot, here are a few tips from myself and some of your fellow Betties.

Photo by Ashley Kidder of Urban Safari Photography

Photo by Ashley Kidder of Urban Safari Photography

1. Think super creative and design shoots around inspiration
There are a ton of styled shoots being done these days and the goal of most professionals is to get ourselves published!  With the hundreds of publications out there, there are lots of options, but there can also be a ton of competition, especially if you choose to do a shoot with a theme that is popular that season.  

To make sure you stand out in the publishing world, choose a theme that isn’t so mainstream.  Draw inspiration from movies, books, TV shows, international holidays, local festivals, stores, magazines–but put a spin on it that keeps your shoot original.  It needs to stand out, not only for its beauty, but for its originality.  If there is one thing Pintrest is good for, its for figuring out if something you want to do has been done before.  If it has, you can bet you’ll find evidence of it on Pintrest.  Then you can find ways to make yours different.

Plus, your photos will be much better if you love what you're shooting.

Photo by Rayna McGinnis of Rayna McGinnis Photography

Photo by Rayna McGinnis of Rayna McGinnis Photography

2. Start planning early, but not too early
It’s important to plan early enough to allow included vendors time to work their magic.  They need to plan, shop, design, and create and you want to give them the time to craft something that meets their best standards.  However, many vendors aren’t booked as far in advance as photographers, so its important that those on board also have time to manage their own clients and business.  By giving them enough time to plan, but not approaching them so far in advance that they have no idea what their schedule will look like come shoot time, you ensure that they’ll be creatively focused and excited about the vision of the shoot.  I’ve found that four to five weeks before the shoot is an excellent time to nail down collaborative vendors.

Photo by Jennie Crate of Green Blossom Photography

Photo by Jennie Crate of Green Blossom Photography

3. Work with a planner
It can open up great doors for referrals later since they see your work first hand and post it on their portfolio, usually with your watermark. Plus planner usually have access to contacts in the wedding industry that we, as photographers, might not.

However, when working with a planner it is important to be on the same page about the vision from the very start so that all of the decisions you make along the way are cohesive and on pint with what you want to photograph.  You'll also want to figure out your individual roles within the shoot.  Many planners are very detail oriented and they may want to have a certain amount of control within the styling of the shoot.  Make sure you have open communication along the way and that you each know your roles and expectations of each other.

Photo by Ashley Kidder of Urban Safari Photography

Photo by Ashley Kidder of Urban Safari Photography

4. Book the venue early in the process
 Once you decide on a theme and a timeline for the shoot, I’d recommend booking a venue early.  Many wedding venues won’t be available on weekends, so plan your shoot for a weekday, keeping in mind that the venue may be closed a couple of days during the week to compensate for being open on the weekends.  Once you have a date and venue, it’s much easier to reach out to potential collaborative vendors.  Putting the big details in place early shows vendors that you have a plan, you’re organized, and you’re committed to the shoot, so they’re more likely to want to commit themselves too.

Photo by Rayna McGinnis of Rayna McGinnis Photography

Photo by Rayna McGinnis of Rayna McGinnis Photography

5. Plan extra time into the day
As much as we photographers love to shoot in the ‘golden hour’ before sunset, trying to plan a styled shoot to finish then is a surefire way to shoot yourself in the foot.  Traffic may be bad, hair and make-up might take longer than you anticipate, you may have to set up things as you go if the weather is bad, thus taking away the ability to simultaneously shoot one thing and style the next.  

I'd recommend planning the timeline to finish at least AN HOUR before sunset, thus giving you contingency time.  Plan to finish all important shots (especially details!) by that hour before sunset time.  Anything after that is pure bonus.

Photo by Jennie Crate of Green Blossom Photography

Photo by Jennie Crate of Green Blossom Photography

6. Don't forget the details!
Details are an important part of any styled shoot and they're paramount to being accepted for publication.  Make sure you pay attention to the styling of your details and photograph them in as many ways as you can come up with.  Not only do the details enhance your artistic vision for the shoot, but they're often what your vendors want to see photograph of, since the details highlight their work.  

Make sure you communicate with your vendors before the shoot, or one site, about what kinds of shots they're looking for out of the shoot.  Since they're putting in the work, they will want something that they can use for their won marketing purposes.  Nothing sucks worse for them than seeing a beautiful shoot where the photos of their contribution don't meet their expectations.  By being up front with each other at the beginning, you can avoid tension and hurt feelings at the end.

Photo by Jennie Crate of Green Blossom Photography

Photo by Jennie Crate of Green Blossom Photography

7. Play nice and always, always, give the finished product to your vendors
You may think its common knowledge, but its worth mentioning.  

Be nice to your models and be nice to your vendors. You never know when a model might turn into a future bride or a vendor will recommend you to a couple because they like your work style.

In addition, your vendors put lot of time, effort, and hard work into a styled shoot and they deserve access to un-watermarked photographic evidence of their talent.  They deserve the right to use your photos in their marketing efforts, whether on their website, Facebook page, business cards, brochures, etc.  Hopefully they’ll credit you, but even if they don’t the relationship you build with them throughout the process will be far more valuable than a tagline on a website page.

So what do you say Betties?  What is the most important thing you've learned from doing styled shoots?  If you have a great shoot to share, post it in the comments!

Vendor Credits for the Urban Safari Photography Photos:
Denver Fashion Truck | http://denverfashiontruck.com/
Pretty Bride Shop | http://www.prettybrideshop.com/
MENTE | https://www.facebook.com/mentefreelance
Chairs with Character | http://chairswithcharacter.com/
The Perfect Petal | http://www.theperfectpetal.com/